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Circular Art

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Oval 1 Art Print
From $31$23
70's Art Print
From $31$23
Pink Moon Art Print
Letter O Art Print
Space 8 Art Print
"Perception's Golden Crucible" emerges from the darkness as a singular, intense focal point within the "I put an eye on you" series. This piece captures a moment of profound, almost alchemical transformation centered around the act of seeing. A mesmerizing blue iris, ringed with an inner fire of yellow-gold, stares out with unwavering intensity, its pupil a stark gateway reflecting an unknown light source. This eye, the very instrument of perception, is not merely framed but seemingly *forged* within a circular crucible of liquid gold. The frame itself defies solidity; it melts, drips, and splatters, suggesting that the very structure through which we view the world—or through which this entity views us—is in constant flux, dissolving and reforming. The opulent gold, usually a symbol of permanence and value, here becomes ephemeral, transient, lending a visceral quality to the act of observation. Is the intensity of the gaze causing the frame to melt? Or is the observer's reality itself dissolving, leaving only the core of perception? This artwork delves into the volatile nature of focus and scrutiny. As part of the "I put an eye on you" series, it posits observation not as a passive act, but as a powerful, potentially destabilizing force. The eye holds the viewer captive, yet it exists within a state of beautiful decay or perhaps, potent creation – a crucible where sight itself is tested, refined, and transformed under an unseen pressure. It's a haunting reflection on how intently focusing on something or someone can change both the observer and the observed, melting away the superfluous to reveal a core, powerful truth. Art Print
From $47$35
"Perception's Golden Crucible" emerges from the darkness as a singular, intense focal point within the "I put an eye on you" series. This piece captures a moment of profound, almost alchemical transformation centered around the act of seeing. A mesmerizing blue iris, ringed with an inner fire of yellow-gold, stares out with unwavering intensity, its pupil a stark gateway reflecting an unknown light source. This eye, the very instrument of perception, is not merely framed but seemingly *forged* within a circular crucible of liquid gold. The frame itself defies solidity; it melts, drips, and splatters, suggesting that the very structure through which we view the world—or through which this entity views us—is in constant flux, dissolving and reforming. The opulent gold, usually a symbol of permanence and value, here becomes ephemeral, transient, lending a visceral quality to the act of observation. Is the intensity of the gaze causing the frame to melt? Or is the observer's reality itself dissolving, leaving only the core of perception? This artwork delves into the volatile nature of focus and scrutiny. As part of the "I put an eye on you" series, it posits observation not as a passive act, but as a powerful, potentially destabilizing force. The eye holds the viewer captive, yet it exists within a state of beautiful decay or perhaps, potent creation – a crucible where sight itself is tested, refined, and transformed under an unseen pressure. It's a haunting reflection on how intently focusing on something or someone can change both the observer and the observed, melting away the superfluous to reveal a core, powerful truth. Art Print
"The Silent Syntax of Circular Logic" presents a visually intriguing experimental artwork featuring a deliberate arrangement of overlapping and intersecting circular and semi-circular forms rendered in a focused palette of primary hues (red, yellow, blue) and contrasting black, all set against a soft, neutral beige background. The composition embodies a sense of structured interaction, where the circular elements appear to engage in a silent dialogue governed by an internal, perhaps cyclical, system. Segments of circles are strategically placed and oriented, suggesting a visual language or 'syntax' built upon the inherent geometry of the circle. The overlapping areas create new visual relationships and implied layers, while the contrasting colors define and emphasize the individual forms within this logical arrangement. The title, "The Silent Syntax of Circular Logic," directly reflects the artwork's exploration of how basic circular forms can be organized to create a non-verbal system of visual meaning and interconnectedness. This experimental piece delves into the abstract representation of thought processes, systems, and the inherent logic that can be found within cyclical patterns. The title, "The Silent Syntax of Circular Logic," suggests a visual language constructed from circular elements, implying a system of interconnected ideas or movements that may be self-referential or follow a cyclical path. The primary colors could represent fundamental concepts or stages within this logic, while their overlapping and interaction illustrate their relationships and dependencies. The black forms might act as anchors or defining elements within the system, and the neutral background provides a space for this abstract logic to unfold. "The Silent Syntax of Circular Logic" can be interpreted as a visual exploration of how order and meaning can emerge from simple, recurring forms, inviting viewers to contemplate the underlying structures that govern both natural and conceptual systems. The experimental nature of the work encourages individual interpretation of this silent, circular language. 1 Art Print
From $30$22
"The Silent Syntax of Circular Logic" presents a visually intriguing experimental artwork featuring a deliberate arrangement of overlapping and intersecting circular and semi-circular forms rendered in a focused palette of primary hues (red, yellow, blue) and contrasting black, all set against a soft, neutral beige background. The composition embodies a sense of structured interaction, where the circular elements appear to engage in a silent dialogue governed by an internal, perhaps cyclical, system. Segments of circles are strategically placed and oriented, suggesting a visual language or 'syntax' built upon the inherent geometry of the circle. The overlapping areas create new visual relationships and implied layers, while the contrasting colors define and emphasize the individual forms within this logical arrangement. The title, "The Silent Syntax of Circular Logic," directly reflects the artwork's exploration of how basic circular forms can be organized to create a non-verbal system of visual meaning and interconnectedness. This experimental piece delves into the abstract representation of thought processes, systems, and the inherent logic that can be found within cyclical patterns. The title, "The Silent Syntax of Circular Logic," suggests a visual language constructed from circular elements, implying a system of interconnected ideas or movements that may be self-referential or follow a cyclical path. The primary colors could represent fundamental concepts or stages within this logic, while their overlapping and interaction illustrate their relationships and dependencies. The black forms might act as anchors or defining elements within the system, and the neutral background provides a space for this abstract logic to unfold. "The Silent Syntax of Circular Logic" can be interpreted as a visual exploration of how order and meaning can emerge from simple, recurring forms, inviting viewers to contemplate the underlying structures that govern both natural and conceptual systems. The experimental nature of the work encourages individual interpretation of this silent, circular language. 1 Art Print
"Abstract Iconography of Being"
Art Description:
"Abstract Iconography of Being" presents a compelling composition that functions as a symbolic representation of the self, constructed from a deliberate arrangement of fundamental geometric shapes – circles, squares, rectangles, and triangles – rendered in a considered palette of earth tones, muted blues, and subtle accents of cream and orange. The artwork evokes the essence of a central figure through the careful balance and juxtaposition of these abstract forms, suggesting a structured yet nuanced inner landscape. A prominent circular motif at the upper portion draws the eye, acting as a potential symbol of consciousness or a central point of identity. The interlocking and overlapping shapes create a sense of interconnectedness and complexity, while the varying sizes and orientations introduce a subtle visual rhythm. The chosen color palette contributes to a feeling of groundedness and quiet introspection, hinting at the deeper, often unseen, aspects of existence. This piece transcends literal representation, offering a visual language for the intangible nature of selfhood. This artwork explores the multifaceted and often abstract nature of identity and existence. The title, "Abstract Iconography of Being," suggests the creation of a symbolic visual language to represent the fundamental aspects of what it means to be. The geometric shapes can be interpreted as core elements of the self – perhaps thoughts, emotions, or experiences – arranged in a way that reflects their interconnectedness and influence. The prominent circle might symbolize the individual soul, the core of consciousness, or a unifying principle. The earth tones and muted blues evoke a sense of groundedness, stability, and inner depth, while the lighter accents could represent moments of clarity or insight. The absence of recognizable features encourages viewers to engage with the artwork on a personal and introspective level, projecting their own understanding of "being" onto the abstract forms. "Abstract Iconography of Being" invites contemplation on the essential structures and subtle nuances that constitute our individual identities, offering a visual meditation on the profound and often ineffable nature of selfhood. Art Print
From $30$22
"Abstract Iconography of Being" Art Description: "Abstract Iconography of Being" presents a compelling composition that functions as a symbolic representation of the self, constructed from a deliberate arrangement of fundamental geometric shapes – circles, squares, rectangles, and triangles – rendered in a considered palette of earth tones, muted blues, and subtle accents of cream and orange. The artwork evokes the essence of a central figure through the careful balance and juxtaposition of these abstract forms, suggesting a structured yet nuanced inner landscape. A prominent circular motif at the upper portion draws the eye, acting as a potential symbol of consciousness or a central point of identity. The interlocking and overlapping shapes create a sense of interconnectedness and complexity, while the varying sizes and orientations introduce a subtle visual rhythm. The chosen color palette contributes to a feeling of groundedness and quiet introspection, hinting at the deeper, often unseen, aspects of existence. This piece transcends literal representation, offering a visual language for the intangible nature of selfhood. This artwork explores the multifaceted and often abstract nature of identity and existence. The title, "Abstract Iconography of Being," suggests the creation of a symbolic visual language to represent the fundamental aspects of what it means to be. The geometric shapes can be interpreted as core elements of the self – perhaps thoughts, emotions, or experiences – arranged in a way that reflects their interconnectedness and influence. The prominent circle might symbolize the individual soul, the core of consciousness, or a unifying principle. The earth tones and muted blues evoke a sense of groundedness, stability, and inner depth, while the lighter accents could represent moments of clarity or insight. The absence of recognizable features encourages viewers to engage with the artwork on a personal and introspective level, projecting their own understanding of "being" onto the abstract forms. "Abstract Iconography of Being" invites contemplation on the essential structures and subtle nuances that constitute our individual identities, offering a visual meditation on the profound and often ineffable nature of selfhood. Art Print

Hear from our Circular Art customers

4.8 (4,746)

Anonymous .

Verified purchase · 16 Jan 2025

The print is gorgeous and beautifully framed. Perfect!

Anonymous .

Verified purchase · 16 Jan 2025

We bought a series of these and hung together. It’s such fun and playful art that brightens a room. I love the colors and the artist take.

Anonymous .

Verified purchase · 03 Jan 2025

The paper quality is excellent. Keep in mind when purchasing that the size includes a white border so your print is about smaller than you might expect. The colors are deep and clear. I am really happy with my purchase of the Klimt prints. I purchased 3 of them as a grouping.

Anonymous.

Verified purchase · 02 Jan 2025

We bought this out print in Memory of Merlin our black lab who passed in November 2024 and we are really pleased with the print. It is fantastic, good quality and exactly as described.

Anonymous.

Verified purchase · 31 Dec 2024

I loved these prints. They are bright and joyful and so easy to display. I paired two in gold frames and they look great! Much loved addition to my holiday decor!

Anonymous.

Verified purchase · 26 Dec 2024

I bought this framed print as it reminds me of my cats and the lovely colour green matches my decor. I hesitated when it said perspex not glass but this is a high quality and very clear, really looks great, and I know it's safe hanging above the bed. I am more than pleased with the service and will be ordering again. Thank you